Showing posts with label Gangstarr. Show all posts
Showing posts with label Gangstarr. Show all posts

Friday, February 21, 2020

Pop Smoke: Gangs, Guns and Dying Young

Recently rapper  Pop Smoke (born Bashar Barkah Jackson) was murdered in LA.
It took a lot of folks by surprise and it has been very sad. He rapped a lot about
guns and death and violence. I am not that familiar with his life. I cannot say for
sure that he was deep in the mix. Sometimes it’s just an act. Either way, it does
not matter. I mean Juice WRLD just died of his OD,  I’m still not over the killing
of The Jacka or Nipsey Hussle and it feels like  these younger rappers seem
to be dying faster and faster. Very painful stuff. 

I
Image: copyright of Complex Magazine

Since the 90’s alot of rappers have made a good name for themselves by being
gang affiliated. Some of them really were in the streets. Some were not but had
family and friends who were and it helped their image. When this kind of strategy
becomes desperate you end up with Tekashi 69 kind of situations. When you
really look at Tekashi and some of his early video interviews before a really
blew, you could see he was not a killer. This was a kid looking to get famous by
any means necessary. That is a popular phrase originally coined by Malcolm X
(using it to describe the dedication of the Black socio political agenda of the time)
used in Hip-Hop because of rappers like Public Enemy, KRS One, Paris and
other rappers of the late 80’s and 90’s. 


Later some of the street rappers used similar slogans to amplify their dedication
to the street life. Tekashi wanted to be down so bad, he betrayed his own
non-gangster nature to get money. He got famous by any means. Unfortunately
it was at the cost of that which is priceless- his freedom. He lost his lady, access
to his kids, the ability to make music and he still has a long way to go because of
what he did. The gang pushed aside their normal vetting process to get money
from a dude who was not built for that life. They all got ruined.


The other reality is that the way he and others liked to be on social media flashing
of money, gold cars, etc. on social media is like throwing blood in the water at real
sharks. Real street people are starving out here. They shoot people for a lot less
than you show on the screen. These guys are desperate. If they want something
better and if you get online telling them you got it and you down to kill for it- you
might come across someone more hungry than you. 


Apparently Pop Smoke posted his address on IG or any social media a few hours
before the home invasion.  When you tell people you gotta lotta money and or run
with killers it can be very dangerous business. That is just solid advice. Especially
while traveling. 


I myself rarely post where I am in real time. You see me in The Bay- I might be in
London. You see me in London, I’m back in The Bay. One of the things that social
media does is it gives you the illusion that everybody who watches you like you.
They don’t. I mean, I don’t even like me that much sometimes. How unrealistic is
it that a certain amount of folks out there might have bad vibes for you- let alone
willing  to put bad intentions into action? I did a short video on the reality of
having enemies in your life and how to deal with this reality. 


Check in with the Homies


In Hip-Hop back in the late 80’s and early 90’s most rappers would go to local
mom and pop stores to promote shows and album releases. Because Hip-Hop
is close to the streets a lot of these artists created solid connections with other
people in the know. Not only was it smart (ie keep you from being a victim of
attack and robbery (in the Bay Area Nas, 2Chainz and once even DJ Quik
had rowdy experience). I don’t say this to embarrass anybody. Look, the streets
are dangerous. Anybody can get it. 


My point was in the day certain artists, like DJ Premier and Guru of Gangstarr
were very well connected to people from Fillmore District in SF (very reputable
are for art, music and street violence). They never had problems. San Francisco
was always like a second home to Gangstarr. Chuck D of Public Enemy, X-Clan,
KRS One, and others were well connected to the people and artists in the
community. So they never had problems. 


National artists used to check in with local artists not because they were scared
but they wanted to be connected to the local fans. As rap went more and more
mainstream label folks intervened for control as they tried to do more lucrative
deals with radio stations. Little by little artists were cut off from the local fans and artists. 


Another group good for being connected to local areas regardless of label stuff was. 
Brand Nubian for The Source way back (Mary J. Blidge was on the cover) and a
big part of my story was how well Lord Jamar and Sadat X were connected to
the Grape St. Watts Crips. Brand Nubian never had a problem in LA. This was not
long after the LA Riots and the unity vibe was big between the coasts. 


The Jacka was good about that too. He had a solid national network because he
preferred to look into connecting with anyone who was dope and respected The
Bay. Immortal Technique, Andre Nickatina, Dilated Peoples, and Master P are
also great examples. 


The biggest gap I saw in that divide was many years back Drake and Lil Wayne
were doing a show at San Jose State. The same day, there was a Hip-Hop
Conference that dealt with police brutality etc. on the same campus. But there
was not connectivity between Cash Money and the local artists and activists.
Both were well attended but in the old days the rappers would encourage their
fans to go to both. Those days are largely gone now. 


The Wu-Tang Clan has always had folks on the ground city to city. They best
exemplify the idea of staying connected to the beats and the streets. They have
such a good network individually and collectively. This is one of the reasons they
are so successful. 


But again, corporate labels ruined a lot of that. Artists, labels and management n
eed to be doing better work on reconnecting artists to the communities they tour in
. It is good for the community and it is good for the monetary bottom line. 


The End Game


Nipsey Hussle was killed by his own supposed to be folks. I hope this does not play
out the same way. Tupac used to talk about all the cultural conflict rappers go through
between being the neighborhood guy you used to be, then going to the suburbs and
those folks don’t want you as a neighbor. I cannot imagine what the weekly pressures
like that can deliver so many of these young Black men without solid family’s, mentors,
financial friends who are not predatory etc. 


Plus the struggle between the “mean guy” persona on wax and the real day-to-day
person they are is another stress in itself. At the end of the day as a Hip-Hop OG
writer and lover of the subculture, as a father seeing how he died really troubles me.
The main concern I have right now is that if his killers were not a targeted non gang
affiliated scenario that we could  end up looking at West coast rappers getting hit up
while in NYC or whatever as a form of retaliation. 


The other week rappers E-40 and Richie Rich got into it online after the Superbowl.
It looked like it might get intense for a minute. Within a few days though, things were
measurably better. They met, squashed it and worked it out. Go look into it. That is
how OG’s do it. They deserve to be on the frontpage of all kinds of websites and
magazines. But they are not. What I am sure of is that if one of them had tried to
kill the other it’d be all over the news. This is the America we live in  now. This is
the world that builds up a rapper like Pop Smoke, watches him die and then you
see all the media vultures circling the drama. Another Netflix fim in the coming
years I’m sure. I bet nobody makes a film about 40 and Rich though. That is the
deeper crime. But this ain’t healthy. This ain’t good for Hip-Hop, America or the
world at large. 


We must do better before Hip-Hop kills itself off or dies out from addiction. I
never ever thought it’d be like this when I got into the subculture back in 1982.
To all the OG’s in the rap game, no matter what you do you matter. Your wisdom
matters. We can’t let these our kids go out like this.  I pretend to have no answers
at this time. But I’m tired of watching these young brothers die on the dope and
the gunplay. Much love to the family of Pop Smoke. 

Adisa the Bishop is the host of the Bishop Chronicles Podcast. It focuses on west coast Hip-Hop, MMA and health and fitness trends. Listen now on www.bishopchronicles.com  or follow him @bishopchronicles on IG.

Wednesday, April 16, 2014

Rapper Kalhi from Street Games Vol 1 Drops New Round 1 Mixtape !!!




When the HHCF dropped the Street Games Vol. 1 Mixtape with DJ Rob Flow, there was a huge positive response around the world. Nobody expected a profanity free mixtape to be so lyrically aggressive and educational. Rapper Kalhi, based in Geneva Switzerland had arguably one of the mixtapes most standout tracks with A Technical Flow which featured UFC Coach Ryron Gracie. If anyone had any questions about the connections between Hip-Hop, chess and jiu jitsu- he answered them!! Kalhi recently dropped a new mixtape called Round 1 which you can download right now! In the tradition of Gangstarr, Nas and others he gives his heart to the mic. Its a very impressive mixtape in terms of its production and lyrical content (though kids will want to get their parents permission). In this interview we talk about the impact rap had on his life, being raised between The Bay and Geneva, his love for martial arts and his plans for the future.

Where are you from.and what are your earliest memories of rap?

I was born in Berkeley California. My father is from the Bay Area but my mother is from Geneva 

Switzerland. When I was a few months old, my parents decided to move to Europe, so that’s 

where I grew up until moving back to the Bay at 18.

My earliest memory of rap was when I was about 5-6 years old. A friend of the family got me 

my very first album as a gift, it was Mc Solaar (french rapper who you might know from a Guru 

feature back in the day). No turning back ever since… 

I understand you learned English from Tupac and Nas albums? Is that true?

Yeah in a sense that’s true. I definitely got the basics from my father speaking to me in english 

as a child, but the way I talk and especially the way I rap was molded from listening to Pac and 

Nas mostly for sure. That’s why I can say that in a sense I learned a lot of my english through 

hip hop and movies. 

What else have you learned through Hip-Hop?

I really feel like Hip Hop was my third parent in a sense. I was conscientious enough as a kid 

to pick the right artists to listen to, but I learned so much I wouldn’t be able to list any particular 

thing. Hip Hop IS part of me, and who I am period. Hip Hop helped raise so many kids, and I 

was no exception. 

Tell me about your latest project?

I have a mixtape coming out at the end of january 2014. It’s been a LONG time coming! I’ve 

been rapping for about 14 years on and off, but never took it seriously until last year. This 

project is my “baby” in a sense. This one sets the bar for what’s to come this coming year for 

sure.

You also have a history with martial arts. Tell me about that.

Hip Hop and Martial Arts are the two main pillars in my life. If you want a common denominator 

to anyone I have met and done business with or anything in between for that matter, you can 

literally trace it back to either Hip Hop or Martial Arts (specifically Muay Thai and Jiu Jitsu). 

I started my Martial Arts journey when I was 6-7 years old with Judo…then stopped after a 

couple years to play soccer (like every kid in Europe), but got back into it with kung-Fu when 

I was 11. From there, I heard about Muay Thai when I was 14 and never looked back! Fast 

forward to 2007 when I started Brazilian Jiu Jitsu with the Cesar Gracie Fight Team. Since then, 

I’ve been training mostly Jiu Jitsu, but was also teaching Muay Thai at Jake Shields MMA gym 

while I was a student at UC Berkeley.

You got a huge response from the CTRL Industries ad. Did you expect that?

To be honest I didn’t really know what to expect. But one thing I knew for sure is that it’s really 

difficult to mix rap with a certain “sport” and not make it sound all corny and wack…so I do feel 

like I was able to bridge the gap between hip hop/chess/and martial arts on that one song pretty 

nicely, while still keeping the true essence of Hip Hop intact.

Any last words?

I want to thank all the people who believed in me when I didn’t believe in myself. I want to thank 

my family and girlfriend for always being there for me, and my close friends as well. I also want 

to thank everyone around me who’ve been supporting me from day one, they know who they 

are.

Download his new mixtape Round 1 at www.kalhimusic.com 

Uproxx Covers HHCF Founder plus, FREE PDF download of Bobby Bruce and the Bronx Available

The book Bobby Bruce & the Bronx by Adisa the Bishop is now available from this day forward FREE in PDF form. Please enjoy it and share ...