Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Tuesday, April 4, 2017

Community Art Discussion in Oakland April 7!!


Alice Street Symposium Addresses Gentrification, Displacement, and Cultural Resiliency
On April 7, the Community Rejuvenation Project (CRP) will host the Alice Street Symposium on Community Engagement Strategies and Best Practices. The event includes a screening of director Spencer Wilkinson’s “Alice Street Short” documentary film, two presentations, and a moderated panel discussion followed by an audience Q&A. The event’s objective is to facilitate a dialogue between community leaders, arts practitioners, funders, and public officials focusing on community engagement strategies using arts to address issues of gentrification, displacement, and resiliency.
As Oakland’s gentrification epidemic continues, cultural arts practitioners and low- and middle-income residents now find themselves threatened with displacement -- which creates an opportunity for common ground with historically-underserved communities of color. “Alice Street” spotlights these issues through a unique perspective – the painting of a massive mural which becomes a connecting bridge between two neighboring yet seemingly-disparate communities, as well as a symbol of the gentrification threatening communities or color and artists, and the struggle for equitable development.
The symposium will further explore key issues and themes of the film: the role the cultural arts play in resiliency efforts of historically-underserved communities; community responses to concerns and threats of displacement; the impact of new development on ethnically-diverse neighborhoods; how murals transform and reshape blighted neighborhoods; the importance of community engagement efforts in public art projects; and how public art can be a connecting link to a city’s cultural history. This event will engage and inform at-risk populations, culture keepers, arts advocacy organizations, and policymakers by identifying and sharing cultural resiliency best practices as part of anti-displacement efforts which seek to mitigate the negative impacts of gentrification.
Presentations by CRP founder/Executive Director Desi Mundo and Roy Chan of the Chinatown Oral History Project will share stories of cultural resiliency and the evolution of community engagement models. Chan will focus on Tai Chi practitioners in Maidson Square Park who have faced constant threats of displacement and Oakland Chinatown’s long history of resiliency in the face of land grabs by the city of Oakland, developers, and BART. “With Oakland's recent push for new development such as the Lake Merritt Station Area Plan, this story highlights ever more the importance of sustaining cultural identity in long-standing ethnic neighborhoods like Chinatown,” Chan said.
Mundo will relate the evolution of CRP’s community engagement model and the development of their pavement to policy approach to public art policy over the past decade, as well as how cultural arts practitioners can play important roles in community-based advocacy efforts around equitable development and calls for increased investment in the cultural arts as an economic development strategy. “Without embedded arts advocates within the structural framework of the city, artists have been forced to speak up for themselves and navigate the complex processes to stay afloat, as rental costs increase exponentially,” Mundo said. “The arts are critical tools in the fight against gentrification and the retention of cultural identity. At the core of that is community engagement."
The panel discussion will be moderated by CRP Communications and Policy Director Eric Arnold, and features local historians, culture keepers, artists, and organizers.
The symposium will take place on Friday April 7, 2017 from 12 PM - 3 PM at the Elihu Harris Memorial Auditorium at the State Building and is free to the public. This event is sponsored by the Akonadi Foundation and Assemblyman Rob Bonta’s office. For more information, contact Eric Arnold at escribe68@gmail.com/(510)-681-8213 or visit www.crpbayarea.org and www.alicestreetfilm.com.

Tuesday, January 17, 2017

HHCF Hosts Hip-Hop Education Event Blending Art & Technology: Unity in Diversity Feb 25-26!!



This will be a 2 day event. A lot of top people from technology, Hip-Hop and the education world will be there. IF you are a parent or an educator or a student....You want to be at this.

Get tix here: https://www.eventbrite.com/e/unity-in-diversity-trends-in-hip-hop-ed-art-technology-tickets-31246996608

FOR IMMEDIATE RELEASE
PR Contact:
Meek Gaborski

Two Day Event Centered on Hip-Hop Education, Art and Technology

Scholars, Artists and Technology Leaders talk STEAM, STEM and College Readiness at Unity in Diversity in SF Bay Area

1/23/17 San Jose, CA- Hip-Hop Chess Federation 501(c)3 is proud to announce it will be hosting a two day event for parents, and educators about the latest trends in Hip-Hop Education, art and technology. Unity in Diversity: Hip-Hop Ed, Art and Technology
will be a series of community conversation about how teachers, artists and innovators are informing and inspiring our youth. Dr. David Timony of Delaware Valley University will give the first keynote entitled Real Genius or Artificial Intelligence? Dr. Terri Givens of  Menlo College will close the second day with College Readiness: Myth Vs. Reality.


There will also be special guest performances to be announced shortly to close each day's event.  Unity in Diversity is an ALL AGES event at costs $10.00 for both days to ensure it affordable.  The event will be a 2 day event Feb 25-26 2017. It will take place at 42660 Christy St. Suite B, Fremont, CA 94538.  


“In chess all pieces have their own movements” said HHCF Founder Adisa Banjoko.      ”Alone they can do very little. However, united they can achieve amazing things. The same is true in education. We are giving parents and educators immediate access to one another so both can find the best tools to get their kids college ready. This is just the beginning.” Participants include Hip-Hop producer Dug Infinite, NBC 11 Technology Anchor Scott Budman, rapper Aliah Sharrief, Dr. Charity Clay, Zion I, Dr. Elliot Gann and Nate Nevado among others. There will also be a youth led panel.

Topics include: The Hamiltonization of Hip-Hop: Is Commerce Killing The Culture,

Fight Philanthropy: How Martial Artists Give Back, Innovating Beyond the Code and Hip-Hop, Technology and Gender among others.




Unity in Diversity Outline of Events

Feb 25th:

11 AM Preparing the Next Generation of Leaders: Where Do We Get it Right and Where Do We Fall Short? Dr. Itoco Garcia (Cherryland Elementary), Leroy Moore ( Krip Hop Nation), Aliah Sharrief (Artist Activist), Ras Ceylon (Educator/Activist) Moderator, Daniel Zarazua (Founder Pochino Press/ Educator Unity High School)- Moderator- T-KASH (Student Parent Counselor UC Berkeley)

2 PM Panel Fight Philanthropy: How Martial Artists Give Back Panelists- Paul Moran (Founder Open Mat Radio/ Philanthropist), Casey Wong (Hip-Hop Ed scholar/Martial Artist), Rahman Jamaal (Rap Force Academy), Tom Callos (The 100/Philanthropist), Gumby (Heroes Martial Artst/Philanthropist), Eliot Kelly (Jiu-Jitsu Inst/Educator) Moderator- D’Juan Owens (Founder, Fight 4 Uganda)

4 PM Panel (1:15 min w/ 45 min intermission) Hip-Hop, Art, Technology and Gender Panelists- Dr. Charity Clay (Sociology Prof. Merritt College), Mya Canty (100% College), Miki Noda (5th Element), Moderator- Meek Gaborski, HHCF VP of Operations

6 Keynote: Real Genius or Artificial Intelligence? Dr. David Timony of Delaware Valley University

Feb 26th:
11 AM SPECIAL YOUTH PANEL- TBD (lineup announced soon)

2 PM Panel (1:15 min w/ 45 min intermission) The Hamiltonization of Hip-Hop: Is Commerce Killing The Culture? Panelists- Demone Carter (Future Arts Now), Doug Infinite (Producer of Common), Nate Nevado (Rock The School Bells), Mazi Mutafa (Words Beats & Life),Moderator- Vince Bayaan, Southeast Dir. for HHCF

4 PM Panel Technology, Science and Hip-Hop: Innovating Beyond the Code Panelists- Milan Drake (Yes We Code), Andrew Swank (UX Engineer, Google), Stephanie Lowe (The Dope Science Show), Sumi Banjoko (Coder/ Founder Fashion Cali) Moderator- Scott Budman, NBC News 11

6 Keynote Dr. Terri Givens (Provost Menlo College): College Readiness: Myth Vs. Reality

SPECIAL GUEST PERFORMANCES WILL BE ANNOUNCED SHORTLY.

Thursday, July 31, 2014

Today's Math: Cultural Exclusion Within the STEM Trend

Today’s Math: Cultural Exclusion Within the STEM Trend
By: Adisa Banjoko


Can we talk about the top 1% and the bottom 99?/ Or the wise 5% and the deaf, dumb and blind 85?/ Or how the circle 7 and the 120 saved our lives?
                                                                                     - Come to the Hills Amir Sulaiman


A few weeks ago I walked into the Ocala Youth Center in San Jose after passing out fliers for our free Hip-Hop Chess program. I was sweating like a runaway slave under the summer sun, but I was happy. You might think walking between Crip, Norteno and Sureno gang turfs trying to teach kids about chess would not work, or be fun. But its a ”beautiful struggle.”


Our non-profit was awarded the Safe Summer Initiative Grant provided by the City of San Jose through the Mayor's Gang Prevention Task Force.  Through that, we have been able to teach the game of kings to underserved kids in East side San Jose. Because of the shimmer of silicon chips is so often in the news, it's easy to forget the gang wars and turf battles. The BG’s (young "baby gangsters") respect my efforts and let us do our work without any hassles. They know my intentions. I appreciate that. When we first opened up at Ocala Middle School, five kids walked in. Two weeks later we were getting just under fifty.


HHCF teaching fundamentals at Ocala Youth Center in San Jose, CA


One of my favorite kids is a teenage girl who learns freestyle wrestling from her dad, loves rap and heavy metal, and has a passion for singing in her spare time. “Where did chess come from?” she asked me one day between moves. I smiled and spoke to her like an uncle talking to his favorite niece.  


“Chess came to America essentially because the Moors brought the game with them when they conquered Spain on 700 AD. If they don’t bring the game to Spain, Europe never gets it. If Europe never gets it, Benjamin Franklin never learns it. If he does not learn it, and come to America- we never get it. Today Maurice Ashley stands as the first Black Grand Master. Cuba had a World Champion, Jose Raul Capablanca, a true icon for Latino’s around the world. The beauty of the sport and art of chess is something all cultures have connected through. If you think chess is a game only by and for old rich White people, then you have lost your place in the history of chess. Im here today to help you find it and do something with it.” I also remind my students about Black female chess champion Rochelle Ballantyne (seen in the documentary Brooklyn Castles) who is now at Stanford University and rising female champion Diamond Shakoor.


She immersed in the conversation. I told her that opening with pawns, knights and bishops to control the center of the board, was no different than keeping your head up, elbows tight and low center of gravity heading to the middle of the mat to meet your opponent in wrestling. I knew then that the history of chess, when framed through an authentic cultural lense, gets students immediately engaged.. I had an instant flashback to one of my discussions on this topic with a former colleague who served as a mathematics  teacher.


Chess_Moors.jpeg
Moorish men playing a game of chess in Spain


Working as a security guard at John O’Connell High School in San Francisco, I learned a lot about American public schools. Compared to the average American parent I’ve had an uncommon level of access to teachers and students unfettered for several years. These experiences helped me configure my non-profit, the Hip-Hop Chess Federation to help teachers and students find new ways to achieve academic greatness.


One of the first things I learned was the gross lack of cultural connectivity to math and science. It all started while talking with a White female teacher at the school who was concerned about not reaching a certain group of Black and Latino males. They were regularly in trouble in her class. These kids were very disruptive and she called me to her room many times to wrangle mayhem out the classroom.


After hearing her legitimate grievances with these youngsters I asked her “Have you ever thought about teaching math from a cultural perspective?”


“What do you mean” she asked?


“For instance, the book Blacks in Science by Dr. Ivan Van Sertima talks about how the Mayans invented the concept of the zero before the people of India did. I find this fascinating because there is no historical account of them having any contact with one another. Now, I believe things that that would really excite kids from  Mexico and El Salvador (we have a large Latino population).. Maybe if you talked to your Black students about Imhotep , architect of the first step pyramid in Kemet (commonly called Egypt) you would be able to make math not just another subject, but an extension of their culture. That makes it more than just homework, it makes it part of a tradition to uphold.”


She looked at me with the most serious eyes on Earth and said “But I don’t know any of that stuff. I can’t teach that.” The horror in her response was that she said it as if she was incapable of reading the same book I just referenced. I realized a millisecond later her response was ploy to evade taking the time to do homework on her own to get connectivity to her pupils. As if by virtue of her college degree, she no longer needed to read these kinds of things to qualify her as a teacher. She continues to struggle with Black and Latino students.


Looking at the dismal state of Black and Latino achievements in mathematics, can make any half sane parent cringe. Bloomberg recently reported “The achievement gap between black and white students has remained steady at about 30 points in math from 2005 to 2013.” One could google for hours the low numbers in Black and Latino math and science deficiencies. Diverseeducation.com quoted  Dr. Sylvia Hurtado, Professor and Director of the Higher Education Research at UCLA in 2011 stating “It is very disturbing to see more pronounced gaps at basic science proficiency in 12th grade, and that so few Black and Hispanic students are proficient at the most basic level.”


mayre04b.gif
Mayan scholars like the one pictured above invented the concept of the zero long before the people of India.


Almost everytime I turn around I see people trying to promote STEM (Science, Technology Engineering, and Mathematics). It serves as the latest buzzword in academia. As exciting as it appears, I find this an offense to Black, Latino and other non-White peoples. This is simply because the bulk of STEM approaches are culturally sterile, sleepy hollow methodologies that frankly don’t inspire inner city minds. But it does not have to be this way.


My belief is that the future is not in STEM but STEAM (Science, Technology, Engineering, Art [underline emphasis mine] and Mathematics. The element of art instantly alters the effectiveness of teaching the others. It's  also closer to the ancient traditions of many in the global diaspora.


The unmatchable classic Who Is God  Rakim paints images of the Black man and womans past “Life was life, and love was love/ We went according by the laws of the world above/ They showed us physically, we could reach infinity/ But mentally through the centuries we lost our identity.” This is the the most succinct explanation of our academic failure in American education I have ever heard from a rapper (or anyone really).


Look around. Most ancient Black and Brown civilizations never separated their art from mathematics, science and engineering. They are the inventors and curators of STEAM. These ancestors painted pyramids, decorated lunar and solar calendars. Kemetic craftsmen engraved towering pillars in their houses of worship adorned with hieroglyphics. The architects of the Ottoman empire emblazoned geometric calligraphy in their masjids. Nevertheless, Most non-White children believe their people have no historical bond with science, math and engineering. Yet we know better, and so do most American teachers. Clearly a type of cultural and ethnic cleansing inside education has been taking place.


800px-Selimiye_MosqueDome.jpg
Geometry, algebra, architecture, art and spirituality were never separated in traditional cultures


I think many astronomy students would love to know that the Kaaba in Mecca, built by Prophet Abraham is perfectly aligned with the star Canopus. “The four corners of the Kaaba roughly point toward the four cardinal directions of the compass.[1] Its major (long) axis is aligned with the rising of the star Canopus toward which its southern wall is directed, while its minor axis (its east-west facades) roughly align with the sunrise of summer solstice and the sunset of winter solstice.


Any class of Algebra that does not start with the Persian mathematician  Abū ʿAbdallāh Muḥammad ibn Mūsā al-Khwārizmī (a scholar at the House of Wisdom in Baghdad), dishonors all the work in the classroom that follow it. The words algebra and algorithm, are born from his name. He was from Baghdad. In People of the Book, Zachary Karabell quotes the intellectual achievements of that city by one person who walked its street stating “Baghdad thrived as few cities ever have, or ever will.” One of the greatest mathematicians of Baghdad,  Ibn Yaḥyā al-Maghribī al-Samawʾa was the son of a Moroccan Rabbi who wrote several books on algebra and also respected scholar of medicine.


In the book Golden Age of the Moor, Edited by Dr. Van Sertima, it highlights how Africans and Arabs “made algebra an exact science and developed in considerably and laid the foundation of analytical geometry; they were indisputably the plane and spherical trigonometry which, properly speaking did not exist among the Greeks.” In The Immortal Game, David Shenk highlights how the Moors used the chessboard as an abacus for mathematical calculations. Andalusian architecture in Spain today is a living testament to centuries of African and Arab science, technology, engineering, art and math.


What the Moors built, was on the shoulders of the Kemetic (Egyptian) ancestors. On the topic of African contributions to physics, John Pappademos wrote “The few papyri which have survived, show that they (the Egyptians) could compute the areas and volumes of abstract geometric figures….To the Egyptians we owe the idea of letting a symbol represent an unknown quantity in algebra.”


Like the Moors, when Hip-Hop was In its “golden age” (1988-1993) it heavily promoted the importance of mathematics. This was mainly done by the 5% Nation of Gods and Earths, a branch of the Nation of Islam. Artists like Poor Righteous Teachers, Rakim, Wu-Tang Clan, Brand Nubian, Jay Z  and many others have been affiliated with the organization. For them, understanding of mathematics has many practical and spiritual importance. Their symbol is the number 7 inside a circle and star. They teach their own “supreme alphabet”, “supreme mathematics” and “120 degrees” of knowledge. Hip-Hop spread these ideas across the world.


d02e9bcdad64f631752274bb2df7151a.jpg
On the left, Jay Z, wearing a 5% medallion. On the right, its Founder Clarence 13  X


One of the fastest growing movements in teaching science is Science Genius. It is spearheaded by Dr. Chris Emdin who works closely with Wu-Tang Clan’s GZA (heavily influenced by the 5%) to host youth rap battles about science. Its impressive to see.


As a young adult in the early 1990’s I cannot allow the effort and accurate scholarship of Dr. Van Sertima, Dr. John Henrik Clarke, Dr. Yosef Ben-Jochannan, Dr. Runoko Rashidi and others to be buried under online searches. Our contemporary educators need to be informed and trained on this wisdom and encouraged to teach it to all American youth. To fail to do this, is not just a crime against the Black, Latino, Arab and Persian contributions to STEAM are the foundation of everything we say want our children to study. It is a crime against all American youth as a whole. Because the current culture of mathematics reinforces European superiority in STEM- it robs them of the truth! Today’s Black academics have a duty to demand more books with these truths be made part of public school curriculum. Virtually all cultures have had a hand in the evolution of how we learn and apply math. Eurocentric based math classes dishonor STEM’s founders and innovators as well their newest students. I am not in favor of Black or White supremacist teaching methods. I’m an advocate of the truth for the benefit of all.  At the same time I understand that the enemies of my ancestors had no vested interest in ensuring their children knew the truth about my people. In many ways the American school system is functioning as it should in its failure to properly educate kids.



I submit to all administrators and teachers in American public, charter and private schools that teaching science, technology, engineering and math minus an artistic element  undercuts the potential of student engagement from day one. The global diaspora has never separated their art from their cultural relationship to mathematics and science. Our culturally barren methods now used to teach math and science only alienate and marginalize American minds. This renders them incapable of moving full STEAM ahead in the future. We must do better.

Adisa Banjoko is Founder of the Hip-Hop Chess Federation. They are hosting the grand opening of their new facility August 16th 2014 in the Bay Area. For more information visit www.facebook.com/hiphopchess

Sunday, August 4, 2013

Hip-Hop Promotes Education More Than Any Other Form of American Music



No form of music in the history of America stressed the importance of their fans having knowledge, wisdom and understanding. Especially where race was a factor.

This is not a debatable issue. Exhibit A

Gotta love this.


Monday, June 17, 2013

Thursday, September 13, 2012

HHCF Interviews John Smalls



Jiu Jitsu is a sport. The word jiu jitsu is Japanese for "the gentle art". Others argue that chess a sport and  art. Hip-Hop for many is seen as an art and sport. But what about just...art? Its so beautiful and important. One of my favorite Japanese woodblock print legend Hiroshige. He has a piece of a woman doing jiu jitsu on three men who attacked her. One is thrown into a river, one is running off and one I think is on the ground. I have it in a book on Aikido. I've never been moved as much as seeing martial art in art until I saw the work of John Smalls.

John Smalls is a NY based artist who has recently gained a lot of traction in the jiu jitsu world with his art. He is a talented, thoughtful man and he was gracious enough to let me speak with him. Here is our conversation. 



HHCF:  When did you begin your pursuit of art?

John Smalls:  I began this journey back in 1996-97, I started my professional career in 1999. I always had a passion for art but not until a teacher mentioned that I should pursue it as a career I never thought of it as a possible career. I only heard of comic book artist and deceased painters, but graphic arts was something new to me so I started to focus on that. From there I began to really study art and learn technique and the history.

HHCF: What were your biggest obstacles you had in discovering your favorite, medium, personal style etc? 

JS: My biggest obstacle is being colorblind. Being colorblind has advantages but can also throw a wrench in things. For example, I think I'm using gray but it's pink, things like that. I'll work with any medium, so far I haven't found a favorite.

HHCF:  Who motivated you to do art (in terms of other artists, and who inspired you within your family or extended family)? 

JS: My family has always encouraged me to create art, my mom especially. Growing up she would come home with these children sketchbooks(I was a teenager) but I would still rock them because I knew she paid for them. I have one friend who pushed me to the limits I'm at right now. Jesus Sifuentes, He was the main person who guided me along my path. Introducing me to books on artist not mentioned in the lime light but still where able to leave an impact on generations. I was fortunate to be able to learn from other artist along the way. 

HHCF: When did you first learn of jiu jitsu?

JS:  I started jiu jitsu almost four years ago. I learned of it from a documentary I saw on martial arts.

HHCF: When did you being to train in the gentle art? 

JS: I began training March 2009. I was studying kung fu for a few years but wasn't please with it do to the fact it was unpractical. I enjoy martial arts for many reason but in the end it has to be practical for life.

HHCF: What inspired you to choose jiu jitsu as a theme? How easy was that?

JS: It's not that I choose jiu jitsu as a theme I was just messing around and decided to do some artwork for some friends. I saw how people reacted to it, it was nothing like how people react to my normal everyday art. It just grew from that point. I generally paint or draw whatever interest me at the moment and jiu jitsu has become a main part of my life.

HHCF:  What piece of jiu jitsu art are you most happy with? 

JS: That's hard to say, but I started a book a few years ago. Every now and then I do a piece in it. Some are single page, some are double pages. It's all done with ink brush. It's a personal project I'm pleased with. When I flip thorough it, it tells a story about my journey with jiu jitsu and art.

HHCF: What jiu jitsu artists inspire you to paint?

JS: None. I know of a few artist that motivate me through there work. Like photographers, graphic artist and illustrators.

HHCF: Do you have any upcoming exhibits and where can people find you online to view and purchase your works?

JS I have no schedule exhibitions at the moment. People can find my and latest editions at http://www.johnsmalls.com and for purchasing artwork visit http://artbysmalls.bigcartel.com

HHCF: Any last words? 

JS: Keep moving forward.

Uproxx Covers HHCF Founder plus, FREE PDF download of Bobby Bruce and the Bronx Available

The book Bobby Bruce & the Bronx by Adisa the Bishop is now available from this day forward FREE in PDF form. Please enjoy it and share ...