Showing posts with label the jacka. Show all posts
Showing posts with label the jacka. Show all posts

Friday, February 21, 2020

Pop Smoke: Gangs, Guns and Dying Young

Recently rapper  Pop Smoke (born Bashar Barkah Jackson) was murdered in LA.
It took a lot of folks by surprise and it has been very sad. He rapped a lot about
guns and death and violence. I am not that familiar with his life. I cannot say for
sure that he was deep in the mix. Sometimes it’s just an act. Either way, it does
not matter. I mean Juice WRLD just died of his OD,  I’m still not over the killing
of The Jacka or Nipsey Hussle and it feels like  these younger rappers seem
to be dying faster and faster. Very painful stuff. 

I
Image: copyright of Complex Magazine

Since the 90’s alot of rappers have made a good name for themselves by being
gang affiliated. Some of them really were in the streets. Some were not but had
family and friends who were and it helped their image. When this kind of strategy
becomes desperate you end up with Tekashi 69 kind of situations. When you
really look at Tekashi and some of his early video interviews before a really
blew, you could see he was not a killer. This was a kid looking to get famous by
any means necessary. That is a popular phrase originally coined by Malcolm X
(using it to describe the dedication of the Black socio political agenda of the time)
used in Hip-Hop because of rappers like Public Enemy, KRS One, Paris and
other rappers of the late 80’s and 90’s. 


Later some of the street rappers used similar slogans to amplify their dedication
to the street life. Tekashi wanted to be down so bad, he betrayed his own
non-gangster nature to get money. He got famous by any means. Unfortunately
it was at the cost of that which is priceless- his freedom. He lost his lady, access
to his kids, the ability to make music and he still has a long way to go because of
what he did. The gang pushed aside their normal vetting process to get money
from a dude who was not built for that life. They all got ruined.


The other reality is that the way he and others liked to be on social media flashing
of money, gold cars, etc. on social media is like throwing blood in the water at real
sharks. Real street people are starving out here. They shoot people for a lot less
than you show on the screen. These guys are desperate. If they want something
better and if you get online telling them you got it and you down to kill for it- you
might come across someone more hungry than you. 


Apparently Pop Smoke posted his address on IG or any social media a few hours
before the home invasion.  When you tell people you gotta lotta money and or run
with killers it can be very dangerous business. That is just solid advice. Especially
while traveling. 


I myself rarely post where I am in real time. You see me in The Bay- I might be in
London. You see me in London, I’m back in The Bay. One of the things that social
media does is it gives you the illusion that everybody who watches you like you.
They don’t. I mean, I don’t even like me that much sometimes. How unrealistic is
it that a certain amount of folks out there might have bad vibes for you- let alone
willing  to put bad intentions into action? I did a short video on the reality of
having enemies in your life and how to deal with this reality. 


Check in with the Homies


In Hip-Hop back in the late 80’s and early 90’s most rappers would go to local
mom and pop stores to promote shows and album releases. Because Hip-Hop
is close to the streets a lot of these artists created solid connections with other
people in the know. Not only was it smart (ie keep you from being a victim of
attack and robbery (in the Bay Area Nas, 2Chainz and once even DJ Quik
had rowdy experience). I don’t say this to embarrass anybody. Look, the streets
are dangerous. Anybody can get it. 


My point was in the day certain artists, like DJ Premier and Guru of Gangstarr
were very well connected to people from Fillmore District in SF (very reputable
are for art, music and street violence). They never had problems. San Francisco
was always like a second home to Gangstarr. Chuck D of Public Enemy, X-Clan,
KRS One, and others were well connected to the people and artists in the
community. So they never had problems. 


National artists used to check in with local artists not because they were scared
but they wanted to be connected to the local fans. As rap went more and more
mainstream label folks intervened for control as they tried to do more lucrative
deals with radio stations. Little by little artists were cut off from the local fans and artists. 


Another group good for being connected to local areas regardless of label stuff was. 
Brand Nubian for The Source way back (Mary J. Blidge was on the cover) and a
big part of my story was how well Lord Jamar and Sadat X were connected to
the Grape St. Watts Crips. Brand Nubian never had a problem in LA. This was not
long after the LA Riots and the unity vibe was big between the coasts. 


The Jacka was good about that too. He had a solid national network because he
preferred to look into connecting with anyone who was dope and respected The
Bay. Immortal Technique, Andre Nickatina, Dilated Peoples, and Master P are
also great examples. 


The biggest gap I saw in that divide was many years back Drake and Lil Wayne
were doing a show at San Jose State. The same day, there was a Hip-Hop
Conference that dealt with police brutality etc. on the same campus. But there
was not connectivity between Cash Money and the local artists and activists.
Both were well attended but in the old days the rappers would encourage their
fans to go to both. Those days are largely gone now. 


The Wu-Tang Clan has always had folks on the ground city to city. They best
exemplify the idea of staying connected to the beats and the streets. They have
such a good network individually and collectively. This is one of the reasons they
are so successful. 


But again, corporate labels ruined a lot of that. Artists, labels and management n
eed to be doing better work on reconnecting artists to the communities they tour in
. It is good for the community and it is good for the monetary bottom line. 


The End Game


Nipsey Hussle was killed by his own supposed to be folks. I hope this does not play
out the same way. Tupac used to talk about all the cultural conflict rappers go through
between being the neighborhood guy you used to be, then going to the suburbs and
those folks don’t want you as a neighbor. I cannot imagine what the weekly pressures
like that can deliver so many of these young Black men without solid family’s, mentors,
financial friends who are not predatory etc. 


Plus the struggle between the “mean guy” persona on wax and the real day-to-day
person they are is another stress in itself. At the end of the day as a Hip-Hop OG
writer and lover of the subculture, as a father seeing how he died really troubles me.
The main concern I have right now is that if his killers were not a targeted non gang
affiliated scenario that we could  end up looking at West coast rappers getting hit up
while in NYC or whatever as a form of retaliation. 


The other week rappers E-40 and Richie Rich got into it online after the Superbowl.
It looked like it might get intense for a minute. Within a few days though, things were
measurably better. They met, squashed it and worked it out. Go look into it. That is
how OG’s do it. They deserve to be on the frontpage of all kinds of websites and
magazines. But they are not. What I am sure of is that if one of them had tried to
kill the other it’d be all over the news. This is the America we live in  now. This is
the world that builds up a rapper like Pop Smoke, watches him die and then you
see all the media vultures circling the drama. Another Netflix fim in the coming
years I’m sure. I bet nobody makes a film about 40 and Rich though. That is the
deeper crime. But this ain’t healthy. This ain’t good for Hip-Hop, America or the
world at large. 


We must do better before Hip-Hop kills itself off or dies out from addiction. I
never ever thought it’d be like this when I got into the subculture back in 1982.
To all the OG’s in the rap game, no matter what you do you matter. Your wisdom
matters. We can’t let these our kids go out like this.  I pretend to have no answers
at this time. But I’m tired of watching these young brothers die on the dope and
the gunplay. Much love to the family of Pop Smoke. 

Adisa the Bishop is the host of the Bishop Chronicles Podcast. It focuses on west coast Hip-Hop, MMA and health and fitness trends. Listen now on www.bishopchronicles.com  or follow him @bishopchronicles on IG.

Monday, June 26, 2017

HHCF Starts Summer Sessions in Juvenile Hall: Day 1



Today the HHCF was happy to be back for another summer session at juvenile hall. As you may recall, last summer we were at Alameda County Juvenile Justice Center teaching chess and life strategies. We returned today and it was amazing.

This morning I went in and met some amazing young souls. Each day we go to three units. They are held in regular classrooms. Each visit to the hall is always emotionally trying. If you have never been to a juvenile hall, it can be depressing at times. It takes some real psychological and philosophical preparation. Because I have done a work in St. Louis with Incarcerated youth, and did prison volunteer work before, a lot of this is not new to me. Nevertheless, it is not easier.

I think because my kids are older now, many of the teen boys and girls there resemble my own kids and others in my family. I reminded myself as I approached to treat these kids like family.

The first kids were in Unit 4. A cool group of about 12 boys entered my classroom.

“We finna just sit here and play chess all morning?” one boy said defiantly with a scowl on his face as he sat down reluctantly.

“No” I said calmly, “We’re going to talk about a lot more.”

I started by just introducing myself. I talked about my history. I explained to them all the mistakes I made as a kid. I talked to them about how my school counselor at Oceana High School (Mr. King) saw me as a journalist before I saw it in myself. I went onto tell them about how I met Eazy E and how my interview with him led me to write for the rest of my life.

I explained the point of it all was that when I couldn’t find any value in myself, Mr. King saw a writer. His ability to see me as a writer changed me forever. I reminded them that no matter the mistakes they may have made that they are still young and brilliant. I reminded them that I do not judge them in any way and that I am not here to save them. “I cannot save you: I said. " I am not here to be a savior. I am only asking you to allow me to give you some tools to help you make better decisions. If you let me do that, you will save yourself. You won’t need me.”

Then I shared my book Bobby, Bruce & the Bronx: The Secrets of Hip-Hop Chess with them. They looked at the photos of me and Eazy and Pac. After laughing at me, they asked me about what Hip-Hop was like way back and about the fashion of the time. It was really cool.

From there we just jumped into the game of kings. When I asked how many of them knew the game, 80% of the kids raised their hands. I then chose two teens to teach the others how the pieces moved. HHCF is always using peer to peer training to help young people engage and inspire one another.

Between the gaming I shared the life lessons from the book. The class was amazing and the kids were supremely inspired to come back Tuesday.

After a short break I went back to Unit 4 to meet a second group of kids. Another group of 12. They were a little harder on sight than the first group. A short heavily tattooed teen walked in flexing his muscles. Despite wearing a long sleeved sweater you could see he had size. He came in yelling that he was the best in the game and he didn’t care who thought they were better- including me. I looked at him and blinked- unmoved.

Another boy with the same skin as Wesley Snipes sat down casually and pointed to the kid who had been flexing. Half slouching in his chair he stated “You gotta beat him in chess first. If you can beat him, we’ll listen to whatever you have to say. If you lose, we out.”

The kid flexing smiled and nodded “Straight up.”

I smiled back.

“Before we do that, I have to say something. Without asking permission” I went into the same talk as I did with the previous group. I shared the book again.

The young man with the tattoos looked up on the board at my outline of piece values ( Q = 9 pts. R = 5 pts, B = 3 pts, N = 3 pts, P = 1 pt.).

Interrupting my introduction he said “What is all that?” in a wrinkled tone with a wrinkled forehead.

“Oh this?” I said in a relaxed tone. “You’re looking at the value of all the chess pieces. I thought you was ‘the man’?” I said in a mocking manner.

He smiled. “Ok, ok.”

From there I went onto the conclusion of my talk. In this group all but two kids knew how to play. They caught on quick and we all played a few games. The tattooed kid was good, but I won my game. Anticipating a lot of trash talk, I caught him off guard by shaking his hand and talking about all the things he did well.

By the end of the class all the kids were locked into the 64 squares of infinite combat. When class ended each kid was promising  big losses to their opponent the next day.

After lunch I went into the Unit 1. I used the same pitch as the first two. 60% of the kids knew the game here. I taught the ones who didn’t as those who did just jumped into battle tactics.

Later I played a game with a strong Latino player. He was long and lean, with a close haircut and a youthful smile. Even the rugged realities of juvenile hall had not robbed him of his smile. I was inspired by his inner peace and the preservation of his joy.

We went into our game and I played him very soft. He was the wrong one to do that with. My laziness was met with a wave of aggressive tactics. Before I knew it, he had my king running for the corner. In the panic, I broke my queen out to save the situation. She defended me well until I slipped and she was sniped by his bishop.

As he was closing in to finish me off class ended. He gave a sinister giggle and postured up.

“Saved by the bell!” I shouted like a man in the ring with Tyson in his prime.

“Just kidding. You were gonna get me. I’mma give you this one. See you tomorrow.”

“Ok, ok!!” he said laughing hard. I will see you tomorrow.”

Pt. 2 will get posted about 10 PM PST. I really love our time with these kids. You guys be well.

Defend The Crown,



Adisa

Wednesday, October 10, 2012

HHCF Hosting EXCLUSIVE Bay Area Screenings for Brooklyn Castle



FOR IMMEDIATE RELEASE
CONTACT: Meek Gaborski
memg@hiphopchessfederation.org

Hip-Hop Chess Federation Teams with The Jacka and Big Rich for Exclusive Bay Area Screenings of Brooklyn Castle Documentary
 
Oct. 11th 2012, San Francisco, CA- The Hip-Hop Chess Federation (HHCF) is proud to announce it will be hosting special FREE screenings of the award winning documentary  Brooklyn Castle. Brooklyn Castle tells the stories of five members of the chess team at a below-the-poverty-line inner city junior high school that has won more national championships than any other in the country. The film follows the challenges these kids face in their personal lives as well as on the chessboard, and is as much about the sting of their losses as it is about the anticipation of their victories.

HHCF will be hosting Brooklyn Castle screenings in San Francisco, Oakland and San Jose. After each screening a panel discussion hosted by Adisa Banjoko will take place about the evolution of chess, technology, art and education in America.Special guests at the San Francisco screening will be rappers The Jacka and Big Rich.

Hip-Hop Chess Federation founder Adisa Banjoko stated “America is witnessing the beginnings of  a cultural resurrection in chess. It is coming from the poor areas, where Hip-Hop thrives. Brooklyn Castle illustrates beautifully how this ancient game can move our emotions as well as our intellect. The HHCF is honored to be screening Brooklyn Castle and grateful to The Jacka and the other artists, martial artists and educators participating with us at these screenings.”

* Oct. 19th 8 PM Heroes Martial Arts 455 South First St. San Jose, CA . Panelists: Alan “Gumby Marques (Owner Heroes Martial Arts) Bboy A-Game (Style Elements/Hybrid Crew), Demone Carter (Future Arts Now) Kenny May (San Jose Universal Zulu Nation).

*Oct. 22nd  4 PM at Youth Uprising 8711 MacArthur Blvd., Oakland, CA. Special Guests include DLabrie and Shamako Noble (Hip-Hop Congress) other special guests TBA.

* Oct. 24th 3:30 PM John O’Connell High School in San Francisco (private screening by invite only). Panel discussion featuring rapper The Jacka, Big Rich (rapper/founder of Project Level), Graffiti muralist Carlos Rodriguez and Educator Arash Daneshzadeh.

See Brooklyn Castle trailer here: http://youtu.be/KgOAp7qSUeM
Follow on Twitter @Brooklyn_Castle

See HHCF Checkmates trailer here: https://vimeo.com/50997642
Follow on Twitter @hiphopchess

Uproxx Covers HHCF Founder plus, FREE PDF download of Bobby Bruce and the Bronx Available

The book Bobby Bruce & the Bronx by Adisa the Bishop is now available from this day forward FREE in PDF form. Please enjoy it and share ...