Monday, September 14, 2015

Flashback Interview with Nas from 1994



The year is 1994 and New Year’s is creeping up upon us. An MC from Queensbridge named Nas is currently keeping the streets on fire from coast to coast. Many brothers on the block, as well as Rap critics acknowledge Nas’’ debut LP Illmatic to be one of the greatest solo debuts of all time.

Keep in mind, this is after the riots. I think the O.J. Simpson trial is still on everybody's mind. Race and poverty and conflict were framing a lot of what was in Hip-Hop. I originally did this for a magazine called 4080. In it’s time, 4080 was a force of nature. I remember Harry Allen telling me how much he loved it. But the owner had drug addiction problems that forced it to close.

Nas was a legend already because of his verse on Live at the BBQ. I was already a fan. I did this interview at the 4080 offices in Berkeley, CA.

AB: What were your earliest memories of Hip-Hop? Not much being a part of it- but just the music itself and the culture?

Nas: I remember it just bein’ the fly s**t, the new s**t. Just n***as, Black people, young Black people, loud music, big speakers, turntables, females, weed, Private Stock, and seeing’ records. Like, if somebody was a big name, you saw he made a record. I mean, it was mad rappers. But when you look at a n***as record – you seen that was some s**t! As being a young Black man, you would have never thought to see yourself on some wax. And that tight there, you was the man. You was chillin’. Even if a n***a never knew you, if they see you on record you was the man.

AB: So what was the first Hip-Hop album you bought?

Nas: I think it was Run-DMC “King of Rock.” If it wasn't that, it was LL Cool J’’s “Radio.” Those were the first ones I bought. The other ones, I stole out my man’s crate.
AB: What were the first ones you stole?
Nas: The first one I stole was I think, Mary Jane Girls. I consider that Hip-Hop.
AB: I understand you used to break back in the day?
Nas: Yo, that was a long time ago. I'd rather not talk about it. We all did it.
AB: I used to do that for a minute. So tell me about your youth. What was your relationship like with your father?
Nas: He was just a cool muthaf**ka. He was different from what I would visualize: a father being when you would look down and watch a [show] like Cosby Show. He was different than that type of s**t. But he’s just a cool n***a – a straight up and down person.
AB: And your mother?
Nas: My moms is real strong, real sensitive, real caring and real intelligent.
AB: Do you have any business plans?
Nas: Ill Will music, dedicated to my man Ill Will. Bless the dead. He would probably be spinnin’ for me right now on the turntables or chillin’ with me ‘cause he was my right hand man. But now he’s still here with me, spiritually.
AB: We all know a lot of Black men that have lost their lives needlessly. What do you think are the reasons for the havoc coast to coast?

Nas: It’s just that we're naturally born Black and aggressive towards getting what we deserve. We’’re born knowing that something is missing. We're born feeling like we're born in an alien nation. From day one, your moms and what she goes through. I mean just, just, generations. It’s what your parents have already been through. Really, it depends on how your family structure is. If your moms is on dope, and your pops ain't there, you gonna grow up real strong in certain ways and real f**ked up in certain ways. But if your moms is there and your pops is there but they are just weak people who didn't know how to guide you …If you're the kind of person who takes things upon yourself, then you're gonna be a different way. You know it’s all kinds of ways we come out. It’s so many of us that are around each other. So much s**t on our minds. We're thinking’ we're tyrants trying to get to the right solution. We're thinking’ about all the different ways of getting it and it’s mad obstacles in our way. It’s mad s**t that we don't see in our way that makes us fall. It’s so easy for us to f**k up, especially when you are coming from a poor family.
AB: On Main Source’s “Live at the BBQ” you had a line that said ”When I was 12 I went to hell for snuffin’ Jesus.”” I'm not a Christian, but the fact that a man would make a casual remark like that about the murder of an acknowledged Prophet to some and saviour by others- what brings lines like that out?
Nas: When I'm feeling’ up to a point where I’m on some s**t where I just don't give a s**t ‘bout nobody. ’Cause ain't nothin’ in my pocket. I’m going through some s**t, I’ll diss anybody I want to. I'll tell you why. I could break the s**t down for you. Because when a person is that angry, that’s how he feels about everything. That’s how I felt lyrically at the time.
AB: Reminds me of Malcolm X, in the movie when he yells to the priest “You tell Jesus to kiss my ass! What has he done for me. “He ain't done nothin’ for me!””
Nas: I kinda felt like how Malcolm X felt. And this was before the movie, I just thought of Malcolm when I said that. You know what I mean? I knew he would be behind me.
AB: Are you coming to the West Coast any time soon?
Nas: True indeed. I plan on coming’ out there with the Queens s**t, the inner side of Queens material. It’s a lot of punk muthaf**kas that never say Queens and s**t.
AB: Why do you think that is?
Nas: I don’t know, to tell you the truth. I don't know. It just became like a religion for some rappers not to mention Queens. But I’m from Queensbridge, and I’m just representing’. It’s all about the bridge with me.
AB: Its funny to me because some of my earliest memories are from Queens rappers.
Nas: B.D.P. put a cease to that shit.
AB: Is that what it is? do you think they had an influence on that whole angle?
Nas: KRS ONE was so ill. He just came out and destroyed shit. A lot of rappers from Queens just couldn’t fuck with him. Or, at the time as just trying to concentrate on their career. You know, getting money or whatever. There wasn’t really a lot of battling rappers accept LL Cool J.
AB: So what kind of angle were you trying to come on with this album?
Nas: I just wanted to speak. I just wanted to be the voice of a nation.
AB: I saw a quote from a Hip-Hop magazine where you said you wanted to be the first Black President.
Nas: Word up!
AB: How do you plan to get there?
Nas: Its’ so many tricks. So much shit. The people, the politicians, the government. The government is ill. They on some old Illmatic shit. They are just like the slave masters but more modern. They have different goals. The world is different now. They just on some new shit. Its about who got game, who’s smart and moves first. When I look at the Declaration of Independence, America is nothing more than an Idea that has never really been put into practice.
Nas: True indeed.
AB: Like Disneyland. Where everybody is supposed to be happy. But it does not exist.
Nas: I might have to quote you on that one day. Wise words.
AB: Thank you brother. Can America happen? Or do you think America is just a concept?
Nas: As long as they keep living those ideals and shit. and trying to do that, I think yes. ‘Cause America is cool right now as long as you know what you gotta do. Like that nigga don King will tell you in a minute. He's a Black man and he’s paid. So that means you can get that dough. Straight up and down. its some good here.
AB: I was recently reading a book by Dennis Kimbro called Think and Grow Rich. He quotes a guy named S.B. Fuller whos that “Poverty is a state of mind.”I thought it was profound. I wondered if you agreed with that.
Nas: Hmmm. Yeah, in ways. In ways.
AB: In which ways is it not/
Nas; I mean, poverty is just reality. There is real poverty. You know what I’m saying? I don’t know. That shit is deep.
AB: What human being had the most influence on you as a person?
Nas: Malcolm X and N.W.A.
AB: Stay strong, and we’ll be in contact in the future.
Nas: Alright, god. One Love.

Tuesday, August 18, 2015

Ryron Gracie is Special Guest at Bobby, Bruce and Bambaataa Lecture Sept. 5th

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PR Contact: (323) 335-4497


Hip-Hop, MMA and Chess Unite at Bobby, Bruce and Bambaataa Lecture
Gracie Jiu-Jitsu Master Ryron Gracie at HHCF HQ for Q&A on How Martial Arts Promote Peace in Our Community  


San Jose, CA, 8/25/15-  The Hip-Hop Chess Federation (HHCF) is proud to announce that it will host a presentation by its Founder Adisa Banjoko aka The Bishop, called Bobby, Bruce and Bambaataa. This multimedia presentation illustrates the history of how the chess explosion of the 70’s and the Chinese kung-fu film craze impacted the growth of of Hip-Hop. The event will take place at the new HHCF Headquarters located at 42660 Christy St., Fremont, suite B in Fremont, CA September 5th at 3 PM. This is a free all ages event, but a $5.00 donation is suggested.


“No other form of music on the earth celebrates chess as much as rap music” stated Adisa Banjoko. “The work of Bobby Fischer, Bruce Lee and Afrika Bambaataa changed the way we look at the art. Much of how Hip-Hop artists approach perfecting their art, their mental approach to battle and even the vegan movement sparked from this fusion. Our conversation will be centered on how that happened and how we can use it to better educate our boys and girls better.” The lecture will highlight the impact of street chess and  kung-fu films on artists like Jay Z, Wu-Tang Clan, Will Smith, 50 Cent, Dilated Peoples, Mix Master Mike of the Beastie Boys and others.


The HHCF is the first 501c3 organization to fuse Hip-Hop, chess and martial arts to promote education innovation and nonviolence. The nonprofit has worked tirelessly for nonviolence since 2006. They recently were the foundation of a record breaking exhibit on Hip-Hop and Chess at the World Chess Hall of Fame in St. Louis. RZA of Wu-Tang Clan (the organization's Director of Outreach) and The Bishop were among the first from the Hip-Hop community on the ground in Saint Louis to work for mutual understanding and peace.


Ryron Gracie, Head Instructor at Gracie Jiu-Jitsu Academy will join in a Q&A following the conversation about how martial arts can promote fitness, wellness and make our communities more peaceful. Gracie is a thought leader of the sport of jiu-jitsu and MMA and a UFC coach to fighters like Brian Ortega and Ronda Rousey among others.


The entire talk can be watched in a live stream on Periscope through the HHCF Twitter account @hiphopchess and later heard at www.bishopchronicles.com podcast.

In addition to the lecture and panel there will be open chess gaming, and open mat for Brazilian Jiu-Jitsu players to practice and drill techniques, For more information visit https://www.facebook.com/events/523504481141692/  or www.hiphopchess.com .






Tuesday, August 11, 2015

Dr. Bettina Love to Speak at Hip-Hop Chess Federation Grand Opening August 15th!!!

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PR Contact: (323) 335-4497


Hip-Hop Chess Federation Announces New Education Center Grand Opening
Harvard University’s Nas Fellow to Speak at HHCF on Hip-Hop and Education


San Jose, CA, 8/12/15-  The Hip-Hop Chess Federation (HHCF) is proud to announce that it will host a Grand Opening of its new facility located at 42660 Christy St., Fremont, CA August 15th at 5 PM. The HHCF is the first organization to fuse Hip-Hop, chess and martial arts to promote education and nonviolence. The SF Bay Area based 501c3 has worked tirelessly for nonviolence since 2006. They recently were the foundation of a record breaking exhibit on Hip-Hop and Chess at the World Chess Hall of Fame in St. Louis. RZA of Wu-Tang Clan (the organization's Director of Outreach) and Adisa The Bishop were among the first from the Hip-Hop community on the ground in that city to work for mutual understanding and peace. Their work can be furthered now in their new facility in the SF Bay Area.


Dr. Bettina L. Love currently serves as an Associate Professor at the University of Georgia and was named the 2016 Nasir Jones Fellow at the W. E. B. Du Bois Research Institute at Harvard University. The title of her talk at the HHCF Grand Opening is: We Are The Ones We've Been Waiting For: The Possibilities, Challenges & Limitations of Hip Hop Ed. The entire talk will be live streamed on Periscope through the HHCF Twitter account @hiphopchess.


Dr. Love's talk will explore the possibilities, challenges, and limitations of Hip Hop Ed and its entanglement with the contested space of Black popular culture, while still functioning as a humanizing, critical, creative pedagogical intervention that fosters self-determination, self-knowledge, and acts of resistance with young people concerned about and fighting for justice.     

"HHCF is not only doing the work, but also showing us all how it’s done” said Dr .Love. “The work of the HHCF should be a site of study as folks search for defining models of Hip-Hop Ed. I am beyond excited and humbled to enter the space built by two extraordinary educators. I hope my talk will move Hip-Hop Ed closer to the axiom of Black Lives Matter.” After her lecture there will be a panel discussion on Hip-Hop Ed with Arash Daneshzadeh and special guests.
“Dr. Love is arguably the brightest mind in education today, especially where urban and at-risk youth are concerned” said HHCF Founder Adisa The Bishop. “We are beyond honored to have her wisdom mark our Grand Opening. She represents a new wave of Hip-Hop scholars who will refine how we will approach and engage America's youth academically.”
In addition to the lecture and panel there will be speed chess gaming, Brazilian Jiu-Jitsu demonstration, artwork by Carlos Rodriguez of RM Klothing will be on display and dope beats will bang hard. For more information visit    https://www.facebook.com/events/113042345710060/ or www.hiphopchess.com

Sunday, August 2, 2015

HHCF Auctioning Lost Autographed Chessboards by RZA, GZA, Rakaa and Waitzkin

For Immediate Release:
PR Contact: Mek Gaborski
(657) 229-2787



   L-R: Rakaa Iriscience of Dilated Peoples, Daaim Shabazz of The Chess Drum, RZA from Wu-Tang Clan and International Chessmaster Josh Waitzkin.



Hip-Hop Chess Federation Auctions Lost Autographed Chessboards by Wu-Tang Clan
Arts and Education Non-profit Raising Money for New Community Center


8/3/15 San Jose, CA- The Hip-Hop Chess Federation (HHCF) has just announced that it is auctioning three autographed chessboards signed by Rza and Gza of the Wu-Tang Clan, International Chessmaster Josh Waitzkin and Rakaa Iriscience from Dilated Peoples. The initial auction price of the boards is $150.00. The boards had been lost after they were signed in October of 2007 at the Chess Kings Invitational in San Francisco. They recently were found as the organization was moving items to take to the new facility. The auction is happening to raise funds for the new HHCF Community Center. The new community center will host various classes on Hip-Hop dance, chess, Brazilian jiu-jitsu and after school tutoring and mentoring programs.


HHCF Founder Adisa The Bishop recently finished serving as an Education and History Consultant on Hip-Hop and chess for the record breaking exhibit at the World Chess Hall of Fame in St. Louis, Missouri. The discussion on chess, martial arts and Hip-Hop as tools for non-violence has swept across universities like University of Connecticut, University Wisconsin Whitewater and Oberlin College among others. HHCF Summer Camps were hosted in San Jose and in East Palo Alto to help keep at-risk kids off the street and planning their future.


RZA serves as the Director of Outreach for the HHCF. In the wake of the police shootings of  Michael Brown and Vonderitt Myers RZA and Adisa spoke to St. Louis youth and visited incarcerated youth.  RZA shared his in depth wisdom about race in America, Ferguson, and the importance of chess as a tool for life strategies and  non-violence.


“These chessboards represent a unique era in the fusion between chess and Hip-Hop” stated Adisa The Bishop “These boards are not going to be reproduced. Whether you are a Hip-Hop or chess history buff, this is a truly one of a kind thing to have for any collector to own.”


To place your bid for one of the three autographed Hip-Hop Chess Federation chessboards visit: EBay now! For more information on the Hip-Hop Chess Federation visit www.hiphopchess.com or follow @realhiphopchess on Instagram.

Thursday, July 23, 2015

Feature on HHCF with shots of new HHCF Community Center!!



The Chess Drum caught up with Adisa Banjoko of the Hip Hop Chess Federation (HHCF) to discuss his new projects, the challenges, the successes and the organization’s sprawling new space for classes. The HHCF is on the move once again and has been progressive in trying to establish an fusion between different artistic expressions to draw from the strengths of each. Chess, Hip-Hop and martial arts all have their dualities and it is clear that this the HHCF has been able to take this concept where no one has gone before. Banjoko provides some important insights in this short interview. 

http://www.thechessdrum.net/blog/2015/07/19/latest-vibe-with-adisa-banjoko-hhcf/

Friday, June 12, 2015

HHCF Hosting Speed Chess Tournament in Union City, CA June 27th at Mighty 4!!!!

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HHCF will be hosting a speed chess tournament at Mighty 4 in Union City, CA on June 27th!!! Come out and enjoy this all ages event. LISTEN to Mighty 4 Founder Paulskeee talk about the history of Hip-Hop in the bay and how it helps young people find themselves http://www.bishopchronicles.com/podcast/2015/6/3/37-hip-hop

Tuesday, June 2, 2015

The Chinese Connection: Hip-Hop and Martial Arts Pt. 1

 

The Chinese Connection: Hip-Hop and Martial Arts Pt. 1
By: Adisa Banjoko


The HHCF’s fusion of Hip-Hop, chess and martial arts has always been about the blending of art, science and subcultures. A lot of people laughed at us in the beginning. But after hosting the biggest opening exhibit at the World Chess Hall of Fame this October with RZA, our impact was undeniable. In the streets, juvenile halls and colleges, our method is working and the demand is growing across the planet.




As our organization got on the radar of various news and education outlets, our calls to promote STEAM over STEM began to gain a following. My obsession with these three arts and sports were built on a previous foundation.


The two most influential people on my approach to writing are Dr. John Henrik Clarke and Joseph Campbell. Dr. Clarke was great at being able to say in a sentence, what many folks need paragraphs to write. Joseph Campbell taught “perennial philosophies.” It is defined as “a perspective in the philosophy of religion which views each of the world’s religious traditions as sharing a single, universal truth on which foundation all religious knowledge and doctrine has grown.” While my work to date has not been as concise as Clarke or expansive as Campbell, this is my ultimate intent. The goal of this piece is meant to show how the Asian Kung-fu Cinema impacted African-American culture deeper than other minority groups.


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Bruce Lee’s logo for his innovative art, Jeet Kune Do


August 17th 1973, Bruce Lee’s Enter the Dragon opened in NYC. On November 12th 1973 a gang leader from The Bronx unified the street arts of rap, DJ’ing, graffiti and various forms of dance as Hip-Hop. He founded the Universal Zulu Nation that year to preserve and maintain the subculture on a global scale. A year before, Brooklyn’s Bobby Fischer beat Russia's Boris Spassky in a game of global importance. In September, a new film called Pawn Sacrifice will drop about that chess match and everything that was at stake culturally and politically. These three moments of the early 1970’s impacted American chess, martial arts and Hip-Hop in ways none of us understood at the time. Today we are still discovering its impact. Unveiling these connections are still a beautiful work in progress.


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The original logo of Mixmaster Mike (of the Beastie Boys) was based on Bruce Lee’s logo for Jeet Kune Do


While exciting entertainment to many, for African American males, Asian Kung-Fu Cinema opened a new door to the Black mind and spirit. Having had our warrior culture removed from us during the transatlantic slave trade though our experience in America, these films gave Black people new ideas and a new ways to reclaim what had been lost 400 years before. Outside of Bruce Lee’s movies films like Shogun Assassin, 36 Chambers of Shaolin, Master of the Flying Guillotine, Shaolin Vs. Wu-Tang, and Drunken Master had immense impact. The David Carradine show Kung-Fu (while riddled with many racist elements) also gave weekly wisdom in prime time to those who were smart enough to pay attention.


It is hard to say how many of the African-American’s embracing these films really understood the cultural differences between Chinese and Japanese culture. Obviously on some level this surface understanding could lead to huge generalizations. On the other, this lack of cultural clarity created a space where all of it was taken in, accepted and appreciated. Those that were sincere, took the time to learn the truth. Over time those numbers grew.  


Though many of the movies by Bruce Lee and the Shaw Brothers were not of the highest production quality, the wisdom shared was on point. Despite whatever flaws may have been in the overdubbed voices or the corny outfits at times, these films became an obsession in Black America. It appears the ancient wisdom, the discipline and the quest for universal truth all filled a hollow space in many African American hearts, minds and bodies. It is hard to imagine the rise in Blacks practicing Buddhism, the number of Blacks doing yoga and all of the Taoist references in Hip-Hop without Kung-Fu films. It is also hard to envision the rise of the vegan movement in Black America without the rise of Kung-Fu films. These movies changed minds, bodies and spirits. Rappers, DJ’s, Bboys and graffiti writers were all affected and reflected the wisdom in their artistic expression.


I don’t think anyone at the time, knew what a benefit these movies would be to Black America. It’s hard to say if Black America itself knew what was taking place and why they were drawn to the films so deeply.


RZA, actor and rapper of the iconic Wu-Tang Clan explained the NY scene in the early 1970’s “In Manhattan on 42nd street they had movies. They had a whole slew of shows. We would watch them every weekend. That was around the age of nine. By the time I was twelve or thirteen I started getting fascinated. I would go into Chinatown buying everything. Kung-fu books, slippers [the flat black shoes made famous by Bruce Lee). You name it, I was on a mission.”


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RZA of Wu-Tang Clan showing Kung-Fu skills in Man With The Iron Fist


Reflecting on the impact of the films he says “The good thing for me was growing up in America, there wasn’t much history, outside of the 400 years that I was taught. The only thing they told us back to was Greek mythology, the colonial days, or cowboys and Indians. But I had a chance to watch the martial arts films.  You get to see stuff from the Tang Dynasty, Sung Dynasty, you are seeing 1500 years of history. It kinda opened my mind to a whole new world.... It kinda changed my whole philosophy on life. I started buying books on Buddhism and Taoism. Plus I was studying Christianity, and Islam at the same time. It all translated into my music.”


In the early era of Hip-Hop the teens and young adults gave themselves titles like Grandmaster Flash, Grandmaster D and so on. It is still unclear if these were names that were inspired more by Kung-Fu films, or chess, but something new was happening. Rap crews named themselves the Wu-Tang Clan and DJ’s like Mixmaster Ice (of U.T.F.O. towering on stage above the rappers in a ninja outfit. It was all very hard to ignore, and hypnotic to almost anyone who saw it. Other Hip-Hop artists out there notable for showing an influence of martial arts philosophy and culture include Andre Nickatina, Jeru The Damaja, Afu-Ra, DJ Q-Bert and Beastie Boys DJ Mixmaster Mike.


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Rap crew U.T.F.O. with Mixmaster Ice in front rocking a ninja suit, 1985.


Chess, first and foremost in many people's minds is about strategy. The word strategy comes from the Latin root word strategos meaning “leader of the army”.


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The logo for revolutionary rap group dead prez is the I-Ching. The I-Ching (The Book of Changes)  is an ancient divination text going back to 1000 BC. It is  a book of various symbols that have rich meaning and various interpretations. The Dead Prez logo is of  hexagram, shi, meaning “Leader” or “the army”. Each hexagram is composed of “inner” and “outer” trigrams. The inner trigram represents water and the outer represents earth.


This idea of being grounded like earth, but flow like water was made popular in America by Bruce Lee. Within the world of jiu-jitsu, they have positions known as closed guards and open guards. In chess, there are positional developments known as open and closed games. In both arts, one must be clear about the differences and understand the importance of how and where to be strong and how and where to flow. These are continuous themes within martial arts and chess.


In part two, we will look more into this relationship between Hip-Hop and martial arts.  We have much more to explore.

Adisa Banjoko is Founder of the Hip-Hop Chess Federation (HHCF). The HHCF is the world's first non-profit 501(c)3 to promote music, chess and martial arts to teach nonviolence at-risk youth. RZA is the organization's HHCF Chess Champion and Director of Outreach. For more information visit www.hiphopchess.com .

Uproxx Covers HHCF Founder plus, FREE PDF download of Bobby Bruce and the Bronx Available

The book Bobby Bruce & the Bronx by Adisa the Bishop is now available from this day forward FREE in PDF form. Please enjoy it and share ...