Monday, April 11, 2016

Adisa Banjoko Speaks at Stanford University April 25th!!!




Hip-Hop Chess Founder Speaks at Stanford University
Author of Bobby Bruce & Bam Talks Chess, Hip-Hop and Nonviolence at Stanford


Oakland, CA 4/11/16-  Three Lions Press is proud to announce the release of a new book, Bobby Bruce & Bam: The Secrets of Hip-Hop Chess written by Adisa Banjoko, aka The Bishop. This extraordinary book outlines how the  of rise of Bobby Fischer, Bruce Lee and Afrika Bambaataa unintentionally converged and influences Hip-Hop, chess and martial arts in America in unexpected ways. It includes a workbook teaching the first 12 lessons people can use to embrace chess as a life strategy tool for school and business. The recently launched website www.bobbybruceandbam.com features  a 29 page sampler of excerpts.  The book serves as a disruptive blueprint that helps urban kids shift their approach to education, entrepreneurship, and life’s possibilities. The book is available in digital form only on Amazon. Print versions drop April 10, 2016. Adisa Banjoko will speak at Stanford University Monday April 25, 2016 from 4-6 PM. The Stanford Institute for Diversity in the Arts, The Muslim Student Union and the Asian American Students will host “Artist as intellectual, and intellectual as Activist” – A presentation by Adisa Banjoko talking about his work and exploring his new book Bobby, Bruce, and Bam: The Secrets of Hip-Hop Chess.  The event will also be shown on Periscope @hiphopchess .


“I am honored  to be speaking at Stanford University. I will be sharing some powerful new video and audio in my presentation that evening. I believe Hip-Hop is leading the way in providing the most meaningful  breakthroughs for education in America and the world. Stanford’s Institute for Diversity in the Arts has been consistently hosting authentic conversations about art and activism. I’m very excited.”


Adisa Banjoko, aka The Bishop is a respected disruptor in the space of education innovation. Adisa began his journalism career while still a high school student interviewing Eazy E shortly before the formation of NWA. Adisa  went on to become one of the first west coast writers for The Source, RapPages and VIBE among others. He broke some of the first profiles on artists like Tupac Shakur, Del, Mixmaster Mike, DJ Qbert, Hieroglyphics, Master P and many others in the rise of west coast rap in the early 1990s’. Adisa Banjoko is a powerful speaker who has lectured at many universities across the country including Harvard, Lehigh, Oberlin College, UC Berkeley and others. His ideas on chess, rap and martial arts have been seen in Forbes, Good Morning America, Black Enterprise, Ebony and the cover of Chess Life Magazine.


In 2006 after visiting incarcerated youth in San Francisco he created the Hip-Hop Chess Federation (HHCF). The HHCF is a 501c3 non-profit that fuses music, chess and martial arts, to promote unity, strategy and nonviolence. in 2015, the HHCF was invited to teach the staff at the World Chess Hall of Fame in St. Louis on the connections between Hip-Hop and chess. The result was the Living Like Kings exhibit (which broke attendance records surpassing Bobby Fischer's). He and RZA of Wu-Tang Clan (who now serves on HHCF’s Board) spoke to high school youth and incarcerated youth in St. Louis during all off the rage and chaos after the death  of Mike Brown. Their efforts illustrated a nonviolent narrative largely overlooked by both mainstream and Hip-Hop media.


Bobby Bruce & Bam: The Secrets of Hip-Hop Chess outline how this unique fusion came to pass and the lives Adisa Banjoko has been able to change through it. The book highlights his his ideas while  in teaching kids in St. Louis with Wu-Tang Clan’s RZA, his experiences fighting inner city school violence in The Bay Area and how rap music celebrate chess more than any other form of music on the planet.

To buy the book or download the PDF sampler for Bobby Bruce & Bam: The Secrets of Hip-Hop Chess now at www.bobbybruceandbam.com !

Monday, April 4, 2016

Hip-Hop Chess Federation Hosting DMC Bay Area DJ Battle!! ALL AGES EVENT!!!

HHCF is proud to announce we will be hosting the DMC DJ Battle in the Bay Area featuring some of the biggest and best DJ's !!! It is an ALL AGES event. We pride ourselves in having a ten year history of hosting family friendly events that educate and inspire young people. We love showing young people and parents how entertaining and informative Hip-Hop is. Of course there will be open chess tables and and dancers all in the building as well. We look forward to seeing you there. Special thanks for Christie Z Pabon and the good folks at Tools of War Jams for helping us make it happen!!

See you there April 22, 2016!!!!

Proven.com CEO Pablo Fuentes Donates Apple Computers to HHCF 2016 Summer Program!!



HHCF would like to thank www.proven.com CEO Pablo Fuentes for their donation of eight...yes 8 Mac Books for the upcoming Hip-Hop Chess Federation Summer Camp (go sign up NOW at www.hiphopchess.com- they get packed quick!!) . Now our performing arts and music program will have a totally new edge.

For the last few years we have struggled with having dated computers.  It is one of the main reasons that we have not been able to post regular video updates as we had planned. Last week I posted a photo of one of our dying PC's. He immediately reached out and said he had some Mac Books he could donate.

I went over to their offices in San Francisco and he and Eric Brown were stacking them up and giving me all the stuff I needed to get it going.

Pablo Fuentes is not just the CEO of Proven.com. He is also a student of Brazilian Jiu-Jitsu, a lover of rap music and an amazing guitar player (check out this article on CEO's that train jiu-jitsu) . Over the last six years ago, Pablo has spoken on Panels to help inform and inspire HHCF kids. We want to thank Pablo and his staff for their kindness.

We hope that more technology and innovation companies in The Bay Area can follow Pablo's leadership skills in helping local organizations in the community to match their leadership in the technology space. The HHCF is working hard to meet the demands for our programs across The Bay Area and the country. If you know a person or a company in the technology field that you think would support and sponsor HHCF please have them email contact@hiphopchessfederation.org. We are a 501c3 non-profit.

WATCH: HHCF Expanding to North Carolina!!

               D'Juan Owens and Cody Maltais joined forces to help HHCF expand to NC!!

HHCF will be expanding to North Carolina!! With the help of Elevate MMA and D'Juan Owens they held an intro event in Durham, NC a few weeks back. In case you missed it, here are two pretty cool short videos that prove the fusion of Hip-Hop, chess and martial arts are for all people, of all backgrounds, all across America:

Video 1 ( a short vid explaining why we do what we do) made by Gene Kim

Video 2 (a lof of the rolling from that day and the youth) made by Beautiful by Design Art

Extra thanks to Cody Maltais of Elevate MMA, HHCF Southeast Regional Director Vince Bayyan and HHCF Raleigh Chapter Leader D'Juan Owens!!

Adisa Banjoko Interviewed on KPFA Radio about Bobby, Bruce & Bam: The Secrets of Hip-Hop Chess


Adisa Banjoko, author of the new book Bobby, Bruce & Bam: The Secrets of Hip-Hop Chess was recently interviewed on KPFA Radio by Davey D. The two talk about how the fusion of Hip-Hop, chess and martial arts came together through the work of Bobby Fischer, Bruce Lee and Afrika Bambaataa. It is the first radio interview the author has done. LISTEN HERE! For more about the book visit www.bobbybruceandbam.com . It is officially released April 10, 2016. 

Tuesday, March 15, 2016

NEW: T-K.A.S.H. Song from T Against the World EP (inspired by Tupac)

FOR IMMEDIATE RELEASE
PR Contact: Crystal Silva
888-588-4418

Hip-Hop Chess Federation Teams with Oakland Rapper T-KASH to Combat Mass Incarceration
T-KASH Releases  EP, T Against The World Inspired by Tupac Shakur HHCF

Oakland, CA 3/14/16-  The Hip-Hop Chess Federation (HHCF)  is proud to announce it is joining with rapper T-KASH to fight the epidemic of mass incarceration. T-KASH will be releasing an EP entitled T Against The World in tandem with the new book by Adisa Banjoko entitled Bobby, Bruce & Bam: The Secrets of Hip-Hop Chess, April 10, 2016.  “Too many American youth, and adults are going to jail for minor offenses. I believe that improving our schools nationwide and effective restorative justice practices are the best way to keep people out of prison and juvenile hall. We are honored to team up with T-KASH and bring awareness to this epidemic. “

Adisa Banjoko has written extensively about mass incarceration. He addresses the issue of incarcerated teens in his new book Bobby, Bruce & Bam: The Secrets of Hip-Hop Chess (dropping April 10th 2016). It includes a workbook teaching the first 12 lessons people can use to embrace chess as a life strategy tool for school and business. The recently launched website www.bobbybruceandbam.com features  a 29 page sampler of excerpts. Bobby Bruce & Bam: The Secrets of Hip-Hop Chess will be released April 10, 2016 in both digital and print formats. It serves as a disruptive blueprint that helps urban kids shift their approach to education, entrepreneurship, and life’s possibilities.

Oakland rapper T-KASH  in recent years  has also become well known as an endurance athlete has joined forces with HHCF for the release of his new EP, T Against The World. It is in part a tribute to Tupac Shakur. “I picked the title because I empathize with Pac’s life transitions and how it came across on his Me Against The World Album” stated T-KASH.” He was being unapologetically him. I’m being unapologetically me. The new EP denotes a new experience that HHCF and T-KASH supporters have been growing towards for years. Less angry and more focused. This day and time calls for good music, but also for emotionally intelligent music.“ In addition, T-KASH will be running in the Oakland Marathon March 20, 2016 to call for an end to mass incarceration nationwide. “HHCF chess program are so successful because the mentorship and guidance is rooted in timeless life strategy, not just age-based hindsight. “


The HHCF is a 501c3 non-profit that fuses music, chess and martial arts, to promote unity, strategy and nonviolence. in 2015, the HHCF was invited to teach the staff at the World Chess Hall of Fame in St. Louis on the connections between Hip-Hop and chess. The result was the Living Like Kings exhibit (which broke attendance records surpassing Bobby Fischer's). He and RZA of Wu-Tang Clan (who now serves on HHCF’s Board) spoke to high school youth and incarcerated youth in St. Louis during all off the rage and chaos after the death  of Mike Brown. Their efforts illustrated a nonviolent narrative largely overlooked by both mainstream and Hip-Hop media.



Download the PDF sampler for Bobby Bruce & Bam: The Secrets of Hip-Hop Chess now at www.bobbybruceandbam.com !

Friday, March 11, 2016

New Innovative Book on Hip-Hop, Chess and Education Drops April 10, 2016!! (check out sampler)



FOR IMMEDIATE RELEASE
PR Contact: Crystal Silva

Innovative Book Connects Rap and Jiu-Jitsu to Stop Violence and Improve Education
Bobby, Bruce & Bam: The Secrets of Hip-Hop Chess Frame Impact of Bobby Fischer, Bruce Lee and Afrika Bambaataa in a New Light

Oakland, CA 3/11/16-  Three Lions Press is proud to announce the release of a new book, Bobby Bruce & Bam: The Secrets of Hip-Hop Chess written by Adisa Banjoko, aka The Bishop. This extraordinary book outlines how the  of rise of Bobby Fischer, Bruce Lee and Afrika Bambaataa unintentionally converged and influences Hip-Hop, chess and martial arts in America in unexpected ways.
 It includes a workbook teaching the first 12 lessons people can use to embrace chess as a life strategy tool for school and business. The recently launched website www.bobbybruceandbam.com features  a 29 page sampler of excerpts. Bobby Bruce & Bam: The Secrets of Hip-Hop Chess will be released April 10, 2016 in both digital and print formats. The book serves as a disruptive blueprint that helps urban kids shift their approach to education, entrepreneurship, and life’s possibilities.

Adisa Banjoko, aka The Bishop is a respected disruptor in the space of education innovation. Adisa began his journalism career while still a high school student interviewing Eazy E shortly before the formation of NWA. Adisa  went on to become one of the first west coast writers for The Source, RapPages and VIBE among others. He broke some of the first profiles on artists like Tupac Shakur, Del and Hieroglyphics, Master P and many others in the rise of west coast rap in the early 1990s’. Adisa Banjoko is a powerful speaker who has lectured at many universities across the country including Harvard, Lehigh, Oberlin College, UC Berkeley and others. His ideas on chess, rap and martial arts have been seen in Forbes, Good Morning America, Black Enterprise, Ebony and the cover of Chess Life Magazine.

“This book is the product of more than ten years of research and direct experience helping kids escape the violence of the streets” said Adisa Banjoko. I have helped teens graduate and live better lives using chess strategies fused with Hip-Hop. The connections in this book are very real and they work. The fusion gives teachers new tools to take STEM and STEAM to a higher level. My goal is the help the children in cities like Oakland, St. Louis, Baltimore, New York, Boston and Atlanta use chess as a tool for self discovery and improvement. ”

In April of 1998 he released an article profiling the legendary Gracie family for RapPages magazine. Not long after he penned an article on Ralph Gracie and MMA for Maxim Magazine. He has written extensively about Brazilian Jiu-Jitsu, yoga, meditation and Eastern philosophy for the last 20 years. He is a purple belt in Brazilian jiu-jitsu and currently teaches chess and jiu-jitsu classes at HHCF HQ.

In 2006 after visiting incarcerated youth in San Francisco he created the Hip-Hop Chess Federation (HHCF). The HHCF is a 501c3 non-profit that fuses music, chess and martial arts, to promote unity, strategy and nonviolence. in 2015, the HHCF was invited to teach the staff at the World Chess Hall of Fame in St. Louis on the connections between Hip-Hop and chess. The result was the Living Like Kings exhibit (which broke attendance records surpassing Bobby Fischer's). He and RZA of Wu-Tang Clan (who now serves on HHCF’s Board) spoke to high school youth and incarcerated youth in St. Louis during all off the rage and chaos after the death  of  Mike Brown. Their efforts illustrated a nonviolent narrative largely overlooked by both mainstream and Hip-Hop media.

Bobby Bruce & Bam: The Secrets of Hip-Hop Chess outline how this unique fusion came to pass and the lives Adisa Banjoko has been able to change through it. The book highlights his his ideas while  in teaching kids in St. Louis with Wu-Tang Clan’s RZA, his experiences fighting inner city school violence in The Bay Area and how rap music celebrate chess more than any other form of music on the planet.

Brian Coleman, author of Check the Technique: Liner Notes for Hip-Hop Junkies stated “Adisa Banjoko writes with the same fire, intelligence and even-keeled wisdom that fans see in person, whether in a room full of Ph.D-holding scholars, or an auditorium filled with wide-eyed teens. His perspective is unique, essential and continually engaging, and listeners, readers and friends all benefit from each word he puts to paper. “Bobby Bruce & Bam” is a deep read, but it steers purposefully away from coded academic language, presenting its points in clear, powerful tracts. No matter what gets you to the book (Hip-Hop, Chess or Martial Arts), you will walk away a better person as a result of diving in.”

Download the PDF sampler for Bobby Bruce & Bam: The Secrets of Hip-Hop Chess now at www.bobbybruceandbam.com !  

Thursday, February 18, 2016

NEW VIDEO: How to Overcome Doubt


Check out this new video from the HHCF called "Knowing You". It's about how to overcome the seeds of doubt people place in your head.



NEW VIDEO: D'Juan Owens Teams with Elevate MMA to Celebrate Jiu-Jitsu and Dance

HHCF Teamed with Elevate MMA in Durham, NC!!!! They joined forces through the wisdom of jiu-jitsu champion, HHCF chess teacher and bboy D'Juan Owens. There will be an open mat Sunday Feb 21st at the new gym hosted by Head Instructor at Elevate MMA, Cody Maltais. D'Juan and Vince Bayyan of HHCF will be in the house. Go check it out and enjoy this great video by Gene Kim featuring jiu-jitsu, dance and the philosophies that fuse them. For those that don't understand what a real movement this has become, D'Juan penned a powerful poem about his travels through chess and martial arts around the world. Enjoy....

AN ODE TO CHESS"
I've played chess outside with homeless men in NY....I've 
played chess with a multi millionaire in his compound in 
South America...I've played chess in about 24 states and 9 
countries...and once with a def man in the Russian winter, in 
Russian November in a hotel hallway...I've played chess with
 REAL scholars, REAL gangsters, humanitarians, activist, 
and bigots alike. I've played chess with jiu jitsu, judo, AND 
luta livre black belts. I've played chess in classrooms as well 
as a waiting room of a jail...I've had the pride of the enlisted 
on my back in the finals of a tournament on an aircraft-
carrier against a lieutenant colonel while sailing past the horn
 of Africa. CHESS is the great equalizer... 
- D'Juan "Dirty South" Owens 


NEW VIDEO: Teach Your Kids The 3 C's: College Career and Crime

HHCF Founder shares one of his lessons on life, choices and consequences with, The 3 C's. Make sure you share this with your kids, or kids you care about.



                                      HHCF Founder, Adisa Banjoko at Unity High in Oakland, CA.

Monday, February 15, 2016

Why Don’t The Black Kids Like Math and Science?: Easy Answers

Why Don’t The Black Kids Like Math and Science?: Easy Answers
By: Adisa Banjoko and Arash Daneshzadeh

Some ask why we act the way we act, without lookin’ how long they kept us back- Public Enemy, Rightstarter


I took a job working as a security guard for about five years while doing guerrilla research for my non-profit (Hip-Hop Hop Chess Federation) to help at-risk kids at John O’Connell High School in San Francisco. At the time, “OC” had a solid reputation as a tough school. In my five years there I learned a lot about youth violence, teen eating disorders, teen pregnancy and alcohol and drug abuse. What I saw and learned changed me as a parent and a teacher forever. One of the main things I learned was about why kids don’t learn.


For the record, that school has many loving and competent teachers in the space of math and science. However, “Why don’t the Black kids like math and science?” was a common question. The answer for me, as a Black male who was transformed by books like Golden Age of the Moor by Dr. Ivan VanSertima, African Presence in Early Asia by Dr. Runoko Rashidi and The Black Man of The Nile and His Family by  Dr. Yosef Ben Jochannan was very easy.


plymouthrock.jpg (1).jpg
HHCF Founder, Adisa Banjoko teaching Hip-Hop history.


“You must tell them their cultural and historic connections to the subject. The kids are feeling like they have no connection to the formulas and concepts they are being shown. If you teach this as part of their cultural legacy, it will be more exciting to digest.”


My own son was actually home schooled from the  6th grade to the 11th because my wife and I saw many unfair biases in the way the teachers treated him. When my wife first began teaching him algebra he was very unexcited. Then I told my son about Moorish achievements in mathematics, cartography and architecture. David Shenk’s chess book The Immortal Game illustrates how one Moorish scholar of the era used the chessboard, as an abacus! His eye opened a little wider.


I showed him a section of John G. Jackson’s Man, God and Civilization that reads: Students flocked from France, and Germany and England to drink from the fountain of learning which flowed only in the cities of the Moors. The surgeons and doctors of Andalusia (what Spain was called at the time) were in the van of science: women were encouraged to devote themselves to serious study, and the lady doctor was not unknown among the people of Cordova. Mathematics, astronomy and and botany, history, philosophy and jurisprudence were to be mastered in Spain and Spain alone. “


“Look at what all your ancestors invented and how they used all relevant knowledge in the field of mathematics” I said with wonder. “If they could create it, you can at least do them the honor of learning what they made.” He took those words to heart. Making math part of his cultural and racial legacy gave him a reason to rise to whatever occasion was on the whiteboard. He is currently trying to decide between several top tier universities for his college path. For my daughters I do the same thing.


I explained to one of the math teachers, a White female, how crucial this was. “If your students are mostly Latino then you need to tell them about how the Mayans invented the concept of the zero several hundred years before the people of India and they had no contact.” I talked about how Aztec and Mayan architecture is something that should be used to as a cultural bridge for them to understand their legacy in math and science.


Her vacant eyes she blinked in hollow despair “But I don’t know all that stuff.” Her unwillingness to pursue new racial and cultural paths to math told me she was not interested. She still struggles to keep her students engaged to this day.


Her struggle is real, and not uncommon across  America. Many teachers across the country hold the same recalcitrant psychological posture with students of African and Latino descent. This ties the child to a culturally infertile arena where the monotony of formulaic recitation does not feed the brain or the heart. For this reason the minds of many Black boys and girls (like many of their Brown brothers and sisters) are often remain unopened like a treasure chest at the bottom of the sea.  The issue is not about ability, it’s about authentic m consistent engagement.



Helping teens discover their own wisdom is the highest form of teaching.


Unless and until all American children can name African pioneers of math like Imhotep (architect of the first step pyramid) or list the achievements of Benjamin Banneker or George Carruthers , Black children will never believe they have a place where STEM and STEAM are taught.


My emancipation don't fit your equation
-Lauryn Hill, Lost Ones


        Math is a universal language that has been ubiquitously applied in creating virtually all civilizations. Paradoxically there is a racist notion that Black youth are detached from mathematics curriculum, due to an inherent version and cultural disposition towards education. However, this dangerous and quixotic belief is underscored by correlation to the under-subscription of Black students in what is quickly viewed as the most academic fields—STEM education.  This unfounded belief submerges education policy in every American milieu and has even managed to unearth the rancor of the Supreme Court during last year’s debate regarding the polarizing case of Affirmative Action. Recently deceased court Justice Antonin Scalia, is on record, as saying a Black student in a selective college “does not do well” and thus is more auspiciously fit in “a less-advanced school—where they aren’t being pushed ahead in classes that are too fast for them”. This anecdotal narrative has shaped the contours of educational opportunity since well before the Jim Crow era, and yet, it continues to place a student’s race, at the center of conversations around educational disparities, rather than the ecology in which racism socially engineers the construct and pathological associations tied to race.
        It is a common idiom of thought that race creates a susceptibility of understanding. Nevertheless, there is no verifiable research to suggest that Black children are innately less able to solve the geometric challenges presented in Tetris, the algorithms germane to computer coding, or the inductive reasoning requisite of Chess. Black children are not reclamation projects. They are not devoid of creativity as a result of oppression, but like other students, require frameworks of academic achievement that recognize the multiple ways that creativity manifests itself. The rubrics commonly associated with academic excellence are not representative of students, and create what H. Rap Brown (2002) describes as academia’s “monopoly on truth”—that allows schools to create competitive individualism that controls youth, by forsaking the political polarization triggered by race. Stuart Hall (1997) explains that negotiations between students and their educational settings involve students conceding any community-based concerns with racism by focusing on material gains by the individual.  What we do find, is a host of literature that demonstrates the ways in which race impacts academic expectations and perceptions of Black youth, and thus, the harsh conditions that subject them to more exclusionary discipline for subjective infractions in schools, even experienced by students in elementary schools as young as five-years old.


arashhhcf1.jpg
HHCF Director of Education Arash Daneshzadeh.
        Racism legitimizes race as the most salient hurdle towards effective teaching, without examining the toxic and self-effacing environment propagated by racist teaching practices. At the crux of teaching Black youth, is a rigid policy towards control and conformity. This draconian ideology places students in a position at the hegemonic fringe of society, punishing them for an existence more readily associated with criminality as existential threats. Classrooms are subsystems that work on behalf of a racist academic machine that squelches opportunities for inquiry and innovation, and pathologizes Black youth for classroom “errors” that could ultimately give rise to synthesis and greater understanding. Race and ethnicity are not synonymous but inextricably linked. Understanding ethnicity as a portal to community literacy, demarcates access to cultural vehicles that make learning a more familiar experience for students, thereby narrowing the social distance between communities and academic institutions.
The fulcrum of popular culture bends images of urban America. As prelude to Freddie Gibbs’ song, F**kin Up The Count, there is an image of Black youth solving a math problem by finding analogues within the drug trade infesting their neighborhoods. When one youth asks his peer why he’s more likely to solve math problems grounded in criminogenic frameworks commonly associated with drug deals, he responds by citing the live-or-die stakes associated with many Black urban communities. In Strange Fruition, by Hip-Hop emcee Lupe Fiasco, he explains that youth must make “double-edged choices” regarding their identities within White Supremacist frames of school that create a mismatch of power and consequently disillusion Black youth to education systems associated with oppression. Terrell and Terrell (1981) describe this psychological phenomenon among Black youth, as cultural mistrust. In this description, what is perceived, as a student’s impertinent disinterest in math education is a means of self-defense in lieu of the more public narrative of Black destitution. So how do schools begin to move beyond blaming Black youth for wittingly removing themselves from academic spaces, as an executioner would his victim? We must begin with the history of Math education within the realm of public education. From the Algebra Project created by Bob Moses, to Dr. Chris Emdin’s pedagogy that bridges the dialectical space between STEAM and HipHop expression, we find culture as the spool which unites the fabric of math education.


arashhhcf.jpg (1).jpg
Arash and HHCF students after a day of chess and life strategies class in Oakland, CA.
        When examining the architecture of antiquity, one finds plush and radiant mosques from civilizations throughout Africa and contiguous acres that comprised Mesopotamia. But despite the reality of Black cultural representation since the dawn of civilization, images that forge a vast and pervasive influence from Black scholars do not parallel the intellectual ancestry that is generated in school curricula. Given the bounteous presence of conical shapes, pillars with concentric orbs, that stood atop Moorish arches, it stands to reason that today’s STEAM studies could create a more critical literacy of math education by representing the Pan-African contributions to the canon. Education practitioners and policy wonks use false assumptions about math to justify expectations that have more to do with anti-Blackness, ethnicity, national origin and gender, than reasoning and cognitive function. In Schooling for the New Slavery (1978), Donald Spivey asserts that the validity of anti-Black perceptions is fortified by the emergence of White settler education systems. Asa Hilliard furthers this position by recounting cases in which schools have “kept African people away from the data needed to interpret their own cultural and history reality” (1995, p. 189). Black youth are given the imperative to center a revisionist history as the benchmark of success. We treat the curricular mismatch between schools and students as a student deficiency or cultural problem squarely placed upon the shoulders of students with faddish bromides, such as academic grit or personal responsibility. These semantic dodges skirt the implication of schools—as a tool for perpetuating racist ideology—and avoid meaningful discussion about the ecology of anti-Black schooling.

        Finally, while Europe struggled to emerge from the Middle Ages, troves of literature demonstrate the unrivaled contributions that African scholars, during that era, made to the field of mathematics and other sciences. Yet, these iconic fixtures are all but removed from Western curriculum. Imagine if students were offered a portal into their intellectual ancestry in math, the same way Spanish immersion allows non-Native English speakers from Spanish-speaking countries to make lateral connections in the classroom. There are thousands of noteworthy contributions that Black scholars have made to mathematics, well before public schools were formally ratified in the Western Hemisphere. Timbuktu gave rise to many differential equations formulas used today by astronomers. These formulas were cultivated during the inception of the Ghanaian Empire (modern Mali) during the 11th and 12th century. Yet, the Treatise of Algebra, scribed 400 years later by John Wallis in 1685, is still revered as the seminal work from which astrophysicists operate. Omar Khayyam, a Persian scholar, is often recalled, as no more than an indulgent Sufi poet from the 11th century, yet he is responsible for finding the intersections between cubic and conic equations, which has influenced the architecture traditionally associated with colonial Spain. In regards to Arab contributions to math B Carra de Vaux wrote “They made algebra an exact science and developed it considerably and laid the foundation of analytical geometry; they were indisputably the founders of plane and spherical trigonometry which, properly speaking, did not exist among the Greeks. “

        To create a more equitable school system in which individual identities are not stigmatized, we must have painstaking and honest conversations around the process of academic identification. In order to fully affirm the academic pedigree of mathematics, we must recognize the geopolitical contributions that all cultures have made to its canon. Until then, Black youth will continue to be ensnared by the false binary of “underachievement” and fatalistic trappings of Eurocentric distancing. By stigmatizing and historically abstracting Black ancestry from the academic canon, we manufacture a pathology of Black youth, rather than achievement itself, as in need of restoration.


Adisa Banjoko is the Founder of the Hip-Hop Chess Federation (HHCF). They are the first 501c3 non-profit to fuse music, chess and martial arts to teach STEM, STEAM and Life Strategies. He is the author of the upcoming book Bobby, Bruce & Bam: The Secrets of Hip-Hop Chess. Follow on IG @realhiphopchess  

Arash Daneshzadeh is the Director of Education for Hip-Hop Chess Federation and a Professor of Education, in the Organizational Leadership Program at the University of San Francisco. Twitter: https://twitter.com/A_Daneshzadeh

Uproxx Covers HHCF Founder plus, FREE PDF download of Bobby Bruce and the Bronx Available

The book Bobby Bruce & the Bronx by Adisa the Bishop is now available from this day forward FREE in PDF form. Please enjoy it and share ...